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It’s all about the sound. We pride ourselves on the personal relationships created from crafting a truly one of a kind sound for the individual drummer. And every drummer is unique. Our clients listed can be found anywhere from a smoky jazz gig at New York’s Blue Note Cafι, or in the precise environment of pop recording at Ocean Way Studios, to a sweaty hard rock rehearsal in a non-descript North Hollywood rehearsal room, or an arena performance in front of 100,000 screaming fans in Rio De Janeiro.

One thing our clients all have in common – they do not listen with their eyes. As a small company based in Australia we do not give free product away for the privilege of high-profile player association. Instead, drummers who are endorsed by other companies purchase Brady Drums - why? Because it’s all about the sound.

  
   
     
   
    LARRY MULLEN JR.  
       
   

Client since 1989

 

Equipment:

10 x 4.5" Jarrah Ply Snare, Wandoo Burl satin finish

12” x 7” Sheoak Block Snare (old primary, pre 2005)

12” x 7” Jarrah Block Snare

14” x 6.5” Jarrah Block Snare

14” x 8” Jarrah Block Snare

14" x 8" Sheoak Block Snare (primary, post 2005) 

14" x 8" Wandoo Block Snare

14 x 8" Sugar Gum Block Snare

 

Jarrah Ply Drumkit/Banksia Satin finish:

14” x 10” Rack Tom

16” x 14” Floor Tom

20” x 16" Bass Drum

 

"We have been using our newer 14 x 8 Sheoak Block snare on the U2 Vertigo World tour and we have had some great reactions from drummers and fans alike. There is such great tonality from the Sheoak but as do the Wandoo and Jarrah which we have used on previous tours and studio recordings. Larry's mainly used a 12 x 7" Sheoak Block drum live since 1989. It's only 12 inches across, but he gets a great whack out of it. They all have that defining Brady sound and all have their own qualities. Sheoak this time around again.........sounds Great"

 

(quote by Larry's drum technician, Sam O'Sullivan)